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WE LEFT Salvator Mundi with the right number of thumbs and a mixed royal provenance. We ain’t heard nothin’ yet.
Here in Part 2 are a Russian oligarch, a Saudi prince, a Louvre where you wouldn’t expect one—and guess where’s Salvator Mundi? Primary sources for all this include The New York Times, artnews.com, and artwatch.org.uk.
The Russian Connection. Needless to say these days, there’s a Russian oligarch.
The Leonardo attribution encouraged Dmitry Ryboloblev to buy Salvator Mundi in 2013 for $127.5 million. The seller was a Swiss art businessman Yves Bouvier, who had previously bought it for $80 million. Four years later, Rybolobllev flipped it for $450.3 million.
This is one reason why Ryboloblev is an oligarch and I am not.
Enter MbS. Salvator Mundi became the most expensive work ever sold at auction. Its purchaser was an anonymous bidder who turned out to be Prince Bader bin Abdullah bin Mohammed bin Farhan al-Saud, a close friend and possible stand-in for Saudi Arabia’s Crown Prince Mohammed bin Salman, aka MbS.
A few months after the auction, Prince Bader was named the kingdom’s first minister of culture.
This is when Frenchmen pull down a lower eyelid.
Officially, MbS is the deputy prime minister of Saudi Arabia; the prime minister is his father, the king. MbS is known for granting Saudi women the right to drive. And, according to U.S. intelligence, he is also implicated in the assassination and dismemberment of Jamal Khashoggi.
The Louvre Abu Dhabi. You probably thought the Louvre was in Paris, and, indeed, it is. But oil money talks, and the United Arab Emirates city of Abu Dhabi has a French Parliament-approved Louvre too. It’s the largest art museum on the Arabian Peninsula, with a Zayed National Museum and a Guggenheim Museum among others planned for the site.
About a month after the November 2017 auction, the Louvre Abu Dhabi announced a scheduled unveiling of Salvator Mundi for September 2018. The event was cancelled without explanation.
David D. Kirkpatrick of The New York Times writes, “The culture department is refusing to answer questions. Staff of the Louvre Abu Dhabi say privately that they have no knowledge of the painting’s whereabouts.”
Maybe MbS just decided to keep Salvator Mundi for himself? Kirkpatrick notes, “The Saudi embassy in Washington declined to comment.”
Kirkpatrick quotes Professor Dianne Modestini, New York University’s Institute of Fine Arts: “To deprive the art lovers and many others who were moved by this picture—a masterpiece of such rarity—is deeply unfair.”
You recall from Part 1 at least she knows what happened to that extra thumb. ds
© Dennis Simanaitis, SimanaitisSays.com, 2019