ATALANTA—THE WOMAN, THE CARS PART 2
YESTERDAY, THE VIRGIN huntress Atalanta held center stage. Today in Part 2, automobiles profit from the etymological origin of Atalanta: αταλαντοσ, Greek for “unswaying” or “equal in weight” Atalanta, the … Continue reading
ATALANTA—THE WOMAN, THE CARS. PART 1
THIS IS A TALE of ancient Greek mythology and latter day British ingenuity, with a soupçon of French style. It’s told in Parts 1 and 2, today and tomorrow. A … Continue reading
SERENDIPITOUS SORTING
WHAT WITH SHELTERING-IN, I have engaged in serendipitous sorting. I was actually looking for something I never did find, but was delighted by what I did stumble on. Here are … Continue reading
CONNECT THE DOTS: LEAD, BALLOONS, PENCIL, NAPOLEON BONAPARTE
THIS CONNECT-THE-DOTS has an easy solution: Nicolas-Jacques Conté. He was a French polymath who gave Napoleon’s army the first significant use of aircraft and he also perfected the lead pencil … Continue reading
THANKS, CHRISTO, FOR GIVING US PLEASURE
ART GIVES PLEASURE in many ways. It can illuminate; it can provoke. It can be ephemeral; it can be timeless. All of the above describe the artistic endeavors of Christo. … Continue reading
ETYMOLOGY: I AM APPALLED
BACK IN JANUARY 2018, I examined the word “embarrassed” in my series of Etymologies for our Times. Today, I add the word “appalled.” Indeed, as in “I am Embarrassed,” the … Continue reading
THE WIT OF AUTOMOTIVE ARTISTS
I WAS LEAFING through a Gooding & Company auction catalog when I encountered its auto memorabilia section. It impressed me with an aspect of automotive artists I hadn’t considered recently: … Continue reading