WANTED, IN THE OLD WEST, AND IN VICTORIAN THEATRE AS WELL PART 2
YESTERDAY IN PART 1, we saw British polymath Robert Harling rise (possibly from orphenhood, possibly not) to become a typographer (Playbill font, 1938), an editorial trainee (twice, not for long … Continue reading
WANTED, IN THE OLD WEST, AND IN VICTORIAN THEATRE AS WELL PART 1
THESE TIDBITS, IN PARTS 1 AND 2 today and tomorrow, are about Robert Harling’s Playbill typography (which, curiously, has nothing to do with Playbill, the theater magazine described in “Prokofiev, … Continue reading
WILL CUPPY GREATS PART 2
HERE IN PART 2, we continue satirist extraordinaire Will Cuppy’s assessments of the world’s Greats, at least those so identified by posterity. Peter the Great. Cuppy explains, “Peter the Great … Continue reading
WILL CUPPY GREATS PART 1
AS I’VE NOTED BEFORE, Will Cuppy is my favorite satirist. His style is deceptively simple: sorta a well-executed theme paper with tongue firmly in cheek. Like I said, “heavily researched … Continue reading
SAVORING LENNY LIPTON’S LABOR OF LOVE PART 1
MY ACQUISITION OF BOOKS arises occasionally from reading The New York Times Book Review or the London Review of Books. This time around, it involves the latter, but in a … Continue reading
AROUND THE WORLD IN EIGHTY YEARS
THIS IS A CELEBRATION OF WIFE DOTTIE, known to many of you as Dorothy Clendenin. A person-to-person get-together was planned for relatives and friends for today, July 23, the date … Continue reading
OUR LANGUAGE’S THEY/THEIR SQUABBLE
I SEEM TO HAVE sidestepped our English language’s non-gender hassle. Indeed, I have LBGT family and friends, though assigning any of them “he/she” or “his/her” never seems to be a … Continue reading
IN PRAISE OF BREWER’S DICTIONARY OF PHRASE & FABLE
FROM TIME TO TIME, I feel the urge to seek trivia. Not directed research on one thing or another. Just taking pleasure from unadulterated facts I really don’t need to … Continue reading