MUSIC FOR MOVIES PART 1
IS MOVIE MUSIC merely innocuous background or does it actively further the plot? My answer, briefly, is “it depends.” Here, in Parts 1 and 2 today and tomorrow, are tidbits … Continue reading
CHURCHILL’S CHICAGO TYPEWRITER
“ONE OF THE most famous photographers of Winston Churchill,” David Olusoga wrote, “is also one of the more controversial.” Olusoga’s article in BBC History Magazine is titled “The Gun in … Continue reading
SLAKING OPERATIC THIRST PART 2
YESTERDAY, WE QUENCHED our operatic thirst at two Parisian cafés and a Russian one on the Lithuanian border. Today in Part 2, we find refreshment in Seville, Spain; Nuremberg, Germany; … Continue reading
SLAKING OPERATIC THIRST PART 1
SINGING OPERA GENERATES quite a thirst. Here, in Parts 1 and 2, today and tomorrow, are tidbits on operatic taverns, inns, and similar hostelries, especially those with more than a … Continue reading
CELEBRATING KEITH HARING
TO SOME, GRAFFITI is civil disobedience. To others, depending upon its quality, it’s art. Disobediently enough, I place myself in this second group in admiring the works of Keith Haring. … Continue reading
I’D RATHER BE ANYTHING THAN PRESIDENT
UNLIKE A BUNCH of people these days, Henry Clay famously said, “I’d rather be right than president.” This was during an 1838 Senate debate. Was he hedging on what was … Continue reading
COMPOSERS’ CALLING CARDS
BACH’S MASTERFUL ART of the Fugue is based on a four-note theme: B flat, A, C, and B. In the musical notation of his time, this spells B-A-C-H. What a … Continue reading
EASTER EGGS—INCLUDING DAVIS, OKLAHOMA
THE EASTER EGGS I have in mind are computerized treats, proofs that programmers have a sense of humor. David Pogue described several examples in “The Secret History of ‘Easter Eggs,’ … Continue reading