HOLMES AND THE PONTIFF PART 1
“I WAS EXCEEDINGLY preoccupied by that little affair of the Vatican cameos,” Sherlock Holmes said, “and in my anxiety to oblige the Pope I lost touch with several interesting English … Continue reading
THE BRASHER DOUBLOON CAPER
EPHRAIM BRASHER, prominent colonial silversmith, lived in the fashionable Cherry Hill neighborhood of Manhattan. George Washington lived next door. It was 1787. That year, Brasher and John Bailey, a fellow … Continue reading
NYC: AC? DC? AC/DC?
SO I’M listening to a Nick Carter mystery on SiriusXM “Radio Classics” and he reveals a frame-up by recognizing an alternating-current clock at the scene of the crime, a New … Continue reading
HUGH L. COURTNEY—CHARLATAN EXTRAORDINAIRE
THEY DON’T make charlatans like they used to. I’ve just learned about Hugh L. Courtney while reading “Cheats, Swindlers, and Ne’er-Do-Wells: A New York Family Album,” by Dan Barry in … Continue reading
HOLMES’ FUTURE SHOCK
ALVIN TOFFLER wrote Future Shock in 1970, but certainly Sherlock Holmes experienced the late-Victorian/Edwardian equivalent of this disruption caused by accelerated change. Here are several examples. The Telephone. During much … Continue reading
HOLMES RESIDUALS
I SUSPECT it was chronicler Dr. John H. Watson who taught Sherlock Holmes the value of branding, of selling marketers on his reputation as the world’s greatest detective, and then … Continue reading
HOLMES AND THE ARTS PART 2
SHERLOCK HOLMES’ artistic streak surfaced regularly, and not just when he idly bowed his Stradivarius while pondering a consulting detective conundrum. Yesterday here, Michael Hardwick’s The Guide to Sherlock Holmes … Continue reading
HOLMES AND THE ARTS PART 1
SHERLOCK HOLMES is remembered for his cold unassailable logic. However, the world’s greatest consulting detective also had an artistic side. Indeed, name another shamus who played his own Stradivarius. What … Continue reading