ELIZABETH CHUDLEIGH—A GENUINE PIECE OF WORK
EIGHTEENTH-CENTURY Englishwoman Elizabeth Chudleigh was a duchess, countess, bigamist, and exhibitionist. But then Georgians were always ones to talk, weren’t they? I encountered her a few days ago while researching … Continue reading
YOU WANT FAKE? I’LL GIVE YOU FAKE—PART 1
THESE ARE high times to celebrate satire. And in fact there’s a specialized branch of this genre: satirical novels. Taken one step further, there are satirical novels that satirize the … Continue reading
BUFFOON, BUFFOONISH, BUFFA
NOT ONLY does the word “buffoon” belong in my Etymology for our Times, there’s an operatic connection as well: Opera buffa is literally “comic opera” as opposed to opera seria, … Continue reading
ON THE KINGDOM OF NAMBY-PAMBY
I OFFER today’s SimanaitisSays as amelioration of the U.S. President’s U.N. covfefeing of two African nations, Namibia and Zambia, into “Nambia.” Nambia? I researched this illusive place. The earlier kingdom … Continue reading
ČAPEK’S ROBOTS
ARTIFICIAL INTELLIGENCE is a controversial topic these days. Will its advancement be to mankind’s good or detriment? Czech author Karel Čapek’s play R.U.R. predicted the latter in 1920, though, in … Continue reading
COMPARATIVE MENDACITY 101
THE ENGLISH language is so amply endowed that there’s comparative mendacity. I never thought of this scale of dishonesty until I looked up “to equivocate,” the next in my ever-expanding … Continue reading
CLIMATE CHANGE, LANGUAGEWISE
THE TERM climate change has been all but eliminated from the Trump administration’s nomenclature. Thus, I guess, to some this means it doesn’t exist. As an example of this thinking, … Continue reading
ELEMENTAL HAIKU
A HAIKU, as is familiarly known, is a Japanese poem of a particular length and structure. It consists of three lines, the first and last having five sound units, the … Continue reading