AN AERO ENGINEER PHILOSOPHER PART 1
WERE IT NOT for London Review of Books, I wouldn’t have known that philosopher Ludwig Wittgenstein had the “childhood dream of becoming the greatest aviator since Orville and Wilber Wright.” … Continue reading
THE SCOTTISH PLAY PART 2
NEVER, EVER utter the word “Macbeth” in a theater. Unless, of course, you’re acting a role in the play of that name. Tidbits yesterday in Part 1 suggested the origin … Continue reading
THE SCOTTISH PLAY PART 1
THE WORD “MACBETH” is never, ever uttered in a theater, except when performing in the Shakespeare play. To avoid the curse, it must always be referred to as “The Scottish … Continue reading
ETYMOLOGY: PURGE, PERJURY
TWO SIMILARLY SOUNDING, albeit distinctly different words, “purge” and “perjury,” are related these days, what with the article “Vindman, Sondland Removed As Trump Purges Impeachment Witnesses,” by Roberta Rampton, Amita … Continue reading
ETYMOLOGY: GANG, GANGSTER
GIVEN THAT WE have a gangster as president (attempted extortion, obstruction of justice, witness intimidation, “take her out,” …), the word and its root “gang” belong in my series of … Continue reading
FOUR AND TWENTY, FOUR TWENTIES + NINETEEN, FOUR AND TWO-AND-A-HALF TWENTIES FORTY OR FIGHT! PART 2
YESTERDAY, WE dealt with four and twenty blackbirds in one way and another. (Don’t ask.) Today in Part 2, we see how German, French, and Danish languages handle counting. You’ll … Continue reading
FOUR AND TWENTY, FOUR TWENTIES + NINETEEN, FOUR AND TWO-AND-A-HALF TWENTIES FORTY OR FIGHT! PART 1
AM I REGRESSING to nursery rhymes in my dotage? No, it’s just that the recent “See You and Raise You 40” here at SimanaitisSays reminded me of “four and twenty … Continue reading
SEE YOU AND RAISE YOU 40
WHAT WITH the Coronavirus being battled around the world, the word “quarantine” is much in the news these days. Quarantine comes from the Italian, quaranta giorni, 40 days, the enforced … Continue reading
ETYMOLOOGY: DEUTSCHESPRACH AND OTHERS
THE GERMAN LANGUAGE is great at word-building. For instance, I recall the following storefront signage. Come to think of it, my source for this photo, translated into German, is another … Continue reading
ACTION! CUT?? PART 2
YESTERDAY’S TOPIC of extended takes in cinematography focused on Orson Welles’ film noir Touch of Evil. Today, in Part 2, we confirm French director Jean-Luc Godard’s truism that cinematographic truth … Continue reading
Simanaitis Says 