On cars, old, new and future; science & technology; vintage airplanes, computer flight simulation of them; Sherlockiana; our English language; travel; and other stuff
GIUSEPPE VERDI’S Otello opens the Metropolitan Opera’s 2015-2016 season with a break in tradition. Hitherto, its Moor of Venice has appeared in black makeup, but not this time. Tenor Aleksandrs … Continue reading →
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