YESTERDAY A DIFFERENT APPROACH was offered for operatic review: Combine Daughter Suz and my Met HD Live Carmen experiences with the irreverent—and occasionally non-PC—analyses of Sir Denis Forman’s A Night … Continue reading →
SIR DENIS FORMAN’S A NIGHT AT THE OPERA is subtitled “An Irreverent Guide to the Plots, the Singers, the Composers, the Recordings.” Daughter Suz and I, indeed, have just seen … Continue reading →
“THE FIRST U.S. GOLD RUSH was started by a 12-year-old boy,” reads the Interesting Facts website. What? Not James Marshall at Colonel John Augustus Sutter’s Mill? Well, no. And indeed, … Continue reading →
THE ARTISTRY OF DAVID ROENTGEN was unknown to me until an ad in The New York Times, January 28, 2024. What a splendid combination of marquetry and mischievousness. How else … Continue reading →
“AFTER YEARS OF PLEXIGLASS DIVIDERS, CURBSIDE DELIVERY, masked servers and, yes, QR codes,” say The New York Times writers Priya Krishna, Tanya Sichynsky, and Umi Syam, “one thing was immediately clear: … Continue reading →
FLORENCIA EN EL AMAZONAS is an opera of many superlatives: It’s the first Spanish-language work performed by the Metropolitan Opera in almost 100 years; and it’s the first Met opera … Continue reading →
WAS BROADWAY’S FIRST SMASH HIT THE GERSHWINS’ LADY, BE GOOD, 1924? Or maybe Vincent Youman’s No, No, Nanette, 1925? Or Jerome Kern’s Show Boat, 1927? No. If we’re talking “smash … Continue reading →
I HAVE BEEN PARTICULARLY WELL-GIFTED this past Christmas. Here are brief details. Snails & Monkey Tails: A Visual Guide to Punctuation & Symbols, by Michael Arndt, Harper Design, 2022. Snails … Continue reading →
RECENT TRUMP BEHAVIOR OFFERS CHILLING INSIGHT into the man. He or likely his sycophant suppliers of Truth Social drivel have perverted, many times word for word, an essay of the … Continue reading →
TRUTH IS, I’VE HAD ONLY A FEW sea-faring adventures, but its lore seems to attract itself to me. Here are a couple more tidbits together with some St. Thomas recollections. … Continue reading →