RENÉE’S COSÌ—AND OTHERS PART 2
YESTERDAY, WE RECALLED SEVERAL PRODUCTIONS of Mozart’s Così Fan Tutte ranging from the traditional to the A.I.-robotic. Today, we learn what star soprano Renée Fleming has in mind as a … Continue reading
RENÉE’S COSÌ—AND OTHERS PART 1
MOZART’S COSÌ FAN TUTTE HAS BEEN TRANSLATED “WOMEN ARE LIKE THAT, but the famous soprano Renée Fleming is out to correct this opera’s misogynous implications. Here, in Parts 1 and … Continue reading
OPERA—PARK AND BARK, VERISMO, BUT ALWAYS RIDING THE RAZOR EDGE OF ABSURDITY
IN HER A MAD LOVE: AN INTRODUCTION TO OPERA, Vivien Schweitzer describes “park and bark” singers as those “who mostly stand immobile, or limit themselves to stock gestures, as was … Continue reading
CBS—THE BEST, THE LAMENTABLE, THE MIDDLING PART 2
YESTERDAY IN PART 1 WE SAVORED CBS RADIO WORKSHOP and enjoyed entertaining CBS corporate suits through the R&T slalom. Today, lamentably enough, we recount CBS actions that seemingly replace freedom … Continue reading
CBS—THE BEST, THE LAMENTABLE, THE MIDDLING PART 1
I’VE KNOWN COLUMBIA BROADCASTING SYSTEM, now a division of Paramount Global, at its best, its lamentable, and—first hand—its middling. Let’s briefly recount the best and middling of these and then … Continue reading
HURRAH FOR THE ACLU! HURRAH FOR CLASS ACTION!
LET’S APPLAUD THE AMERICAN CIVIL LIBERTIES UNION! Never has its activism been more critical. Zach Montague and Pat Grossmith’s article “Judge Blocks Trump’s Citizenship Order in Class-Action Challenge,” The New … Continue reading