NO MORE INNIES NOR OUTIES??
SIMANAITISSAYS PRIDES ITSELF ON BEING CULTURALLY HEP. Note its recent analyses of “Kit Marlowe—an Elizabethan John le Carré,” “ ‘Poi Tristano,’ Jotted Puccini,” and “Liar, Liar, Middle East on Fire.” … Continue reading
KIT MARLOWE—AN ELIZABETHAN JOHN LE CARRÉ PART 2
YESTERDAY, MICHAEL DOBSON’S LRB PIECE “Flash and Thunder” got me thinking about Christopher Marlowe, my favorite noir Elizabethan. Today in Part 2, we shuffle through Kit’s Tudor closet, not to … Continue reading
DONATE TRUMP-SIGNED CURRENCY TO ACLU! THEN TELL HIM SO!
MERRIAM-WEBSTER NOTES THE WORD “TRIBUTE” HAS CONTRASTING MEANINGS: One positive; the other, less so. M-W defines a tribute may be “something (such as material evidence or a formal attestation) that … Continue reading
“POI TRISTANO,” JOTTED PUCCINI PART 2
YESTERDAY IN PART 1, KEVIN NG ASKED “Is It Possible to Solve the Ending of Puccini’s ‘Turandot’?” We meandered about Puccini’s sketching “poi Tristano” and its love defying death in … Continue reading
“POI TRISTANO,” JOTTED PUCCINI PART 1
CLOSE TO FINISHING HIS OPERA TURANDOT, Giacomo Puccini expressed the intent “poi Tristano,” “then Tristan.” That is, wrap up the complex relationship of the mysterious prince Calaf with ice queen … Continue reading
A SELF-SUPPORTING NOBLE COMPOSER—AND A WOMAN AS WELL PART 1
THERE’S A LONG HISTORY OF COMPOSERS depending upon nobility for their livelihood: Vivaldi and Emperor Charles VI, Bach and Prince Leopold of Anhalf-Cöthen, Handel and the British royalty, Haydn and … Continue reading