RENÉE’S COSÌ—AND OTHERS PART 2
YESTERDAY, WE RECALLED SEVERAL PRODUCTIONS of Mozart’s Così Fan Tutte ranging from the traditional to the A.I.-robotic. Today, we learn what star soprano Renée Fleming has in mind as a … Continue reading
RENÉE’S COSÌ—AND OTHERS PART 1
MOZART’S COSÌ FAN TUTTE HAS BEEN TRANSLATED “WOMEN ARE LIKE THAT, but the famous soprano Renée Fleming is out to correct this opera’s misogynous implications. Here, in Parts 1 and … Continue reading
OPERA—PARK AND BARK, VERISMO, BUT ALWAYS RIDING THE RAZOR EDGE OF ABSURDITY
IN HER A MAD LOVE: AN INTRODUCTION TO OPERA, Vivien Schweitzer describes “park and bark” singers as those “who mostly stand immobile, or limit themselves to stock gestures, as was … Continue reading
CBS—THE BEST, THE LAMENTABLE, THE MIDDLING PART 2
YESTERDAY IN PART 1 WE SAVORED CBS RADIO WORKSHOP and enjoyed entertaining CBS corporate suits through the R&T slalom. Today, lamentably enough, we recount CBS actions that seemingly replace freedom … Continue reading
CBS—THE BEST, THE LAMENTABLE, THE MIDDLING PART 1
I’VE KNOWN COLUMBIA BROADCASTING SYSTEM, now a division of Paramount Global, at its best, its lamentable, and—first hand—its middling. Let’s briefly recount the best and middling of these and then … Continue reading
“A SILENT AND ABSOLUTELY TRACTABLE” BUGATTI
PERHAPS THIS TITLE BRINGS TO MIND THE ROYALE, the 12,760-cc straight-eight Golden Bug only six of which left Molsheim. No, actually these tidbits are gleaned from the British Autocar Road … Continue reading
REPARTEE ON AND OFF STAGE AND SCREEN
ENOUGH WITH POLITICS; THERE HAS BEEN PLENTY of great dissing in other areas. Dr. Mardy Grothe has a fine collection in Viva La Repartee, tidbits from which are offered here … Continue reading